# Parts vs Seasons: TV Show Formats

When tracking your favorite TV shows on SIMKL, you might notice a difference between how episodes and seasons are displayed compared to what you see on platforms like **Netflix**, **Crunchyroll**, **Disney+**, or **regional broadcasters** (e.g., **tvN**, **Youku**, **iQIYI**).

That’s because SIMKL uses a **standardized system powered by TVDB (TheTVDB.com)** — a leading metadata provider used by apps like Kodi, Stremio, and Plex, to organize and structure TV shows.

Unlike traditional broadcast TV, where shows are neatly categorized into **seasons** and **episodes**, modern streaming platforms — especially those distributing international content — often use different segmentation labels such as:

* **Parts** (e.g. *Part 1*, *Part 2*)
* **Volumes** (e.g. *Volume 1*, *Volume 2*)
* **Arcs, Sagas, Installments**, or **named timelines** (e.g., *Tale of the Nine Tailed 1938*)

{% content-ref url="../../../faq/how-to-add-new-shows-missing-episodes-and-movies-to-simkl/tvdb-for-tv-shows" %}
[tvdb-for-tv-shows](https://docs.simkl.org/how-to-use-simkl/faq/how-to-add-new-shows-missing-episodes-and-movies-to-simkl/tvdb-for-tv-shows)
{% endcontent-ref %}

This isn’t just a stylistic or naming difference — these alternate formats often reflect:

* **Re-edited versions** of the original broadcast (e.g., *Money Heist*)
* **Split releases** for pacing and hype (e.g., *Stranger Things Volume 1 & 2*)
* **International redistribution cuts**, made to align runtimes or cultural beats
* **Marketing decisions**, where shows are split to maximize viewer engagement and global impact

{% hint style="success" %}
SIMKL relies on **TVDB** (TheTVDB.com) as its **primary metadata provider** for TV shows
{% endhint %}

{% content-ref url="../anime-tracking/anime-seasons" %}
[anime-seasons](https://docs.simkl.org/how-to-use-simkl/getting-started-with-simkl/basic-navigation/anime-tracking/anime-seasons)
{% endcontent-ref %}

## Why Is This Formatting Used?

Many foreign-language series, especially those originating from **Spain, Korea, China, Japan**, or **Latin America**, are first aired on **local networks** using traditional models:

* Weekly episodes
* Extended runtimes (often over 70 minutes)
* Grouped loosely as **"parts"**, **"arcs"**, or under thematic banners instead of conventional seasons

When global streaming platforms, especially **Netflix,** acquire these shows for international release, they often **restructure and repackage** the content to better align with global viewer expectations and platform design.

{% content-ref url="why-is-tvdb-better-for-tv-shows-than-tmdb" %}
[why-is-tvdb-better-for-tv-shows-than-tmdb](https://docs.simkl.org/how-to-use-simkl/getting-started-with-simkl/basic-navigation/tv-shows-tracking/why-is-tvdb-better-for-tv-shows-than-tmdb)
{% endcontent-ref %}

![](https://1063116720-files.gitbook.io/~/files/v0/b/gitbook-x-prod.appspot.com/o/spaces%2F-MkYIJb2JfKN8kBT29bf%2Fuploads%2FCTKh0fVb9TEj7IrWm4PY%2FNetflix%20has%20officially%20announced%20that%20the%20fifth%20and%20final%20season%20of%20Stranger%20Things%20will%20be%20rele.jpg?alt=media\&token=a658f853-95b0-41e6-97bc-8975b7d33b96) ![](https://1063116720-files.gitbook.io/~/files/v0/b/gitbook-x-prod.appspot.com/o/spaces%2F-MkYIJb2JfKN8kBT29bf%2Fuploads%2FMaVL7dp0dQwIiM8Q4TM6%2FScreenshot-2021-09-01-at-11-02-35-AM.png?alt=media\&token=e96f3032-2687-4148-b7e1-072ea008ec0e)

When platforms like **Netflix**, **Crunchyroll**, or **Disney+** acquire or produce content, they may:

#### 1. Recut Episodes for Runtime Standardization

* Episodes are edited down to the **40–50 minute format** commonly expected by streaming audiences
* Original long-format episodes (e.g., 70+ minutes) are split into **shorter, more bingeable chunks**
* This is commonly seen in:
  * *Money Heist* – Recut from long Spanish episodes to shorter 5-Part structure
  * *The Untamed Special Edition* – Abridged version for international release

***

#### 2. Structure Shows in “Parts” or “Volumes” Instead of Seasons

* Instead of using standard Season 1, 2, 3… Platforms often divides shows into:
  * **Parts** (e.g., *Part 1*, *Part 2*, *Part 3*)
  * **Volumes** (e.g., *Volume 1*, *Volume 2*)
  * Or **named arcs** (e.g., *Tale of the Nine Tailed 1938*)
* These are not technically “seasons,” but may contain:
  * Different timelines
  * New characters or cast
  * Sequel/prequel storylines

***

#### 3. Support International Market Appeal

* “Part”-based labeling feels **less intimidating** for new audiences than “Season 5”
* Viewers are more likely to start watching a show that says “Part 1” than “Season 4”
* This technique helps expand international reach and **retain first-time viewers**

***

#### 4. Allow Flexible Release Timelines

* Shows can be split into **multiple drops** (e.g., Volume 1 & Volume 2) with:
  * Time in between for marketing campaigns
  * More time for final post-production (e.g., Stranger Things S4)
* Viewers perceive this as an event, rather than a delay

***

#### 5. Enable Hype-Driven Marketing Strategies

* Instead of releasing an entire season at once, splitting it builds **anticipation and momentum**
* Examples:
  * *Stranger Things Season 4* was split into:
    * **Volume 1** (Episodes 1–7)
    * **Volume 2** (Episodes 8–9, feature-length)
  * *Money Heist Part 5* was split into:
    * **Volume 1** and **Volume 2**, released a month apart

***

#### 6. Maintain Consistency Across Global Interfaces

* Recut shows allow for:
  * Unified **episode count**
  * Consistent **interface display** across devices and countries
  * Easier subtitle syncing and dubbing workflows

{% hint style="info" %}

## Why Do Some Shows Have Parts, Volumes, or Recut Episodes?

* **Streaming platforms like Netflix** repackage content into *Parts* or *Volumes* for hype, pacing, or runtime standardization.
* **Asian dramas (Korean/Chinese)** often market shows in *Parts* (e.g., “1938 arc”) while using **different actors**, **new timelines**, or **new titles** — even when it's officially a continuation.
* **Tracking services (TVDB, SIMKL, etc.)** use structured metadata that doesn’t always match viewer-facing labels.
  {% endhint %}

***

## Examples of Shows Using the "Part"-Based Format

Below are major non-English (non-anime) shows that use this format, with a breakdown of their original structure vs the repackaged format:

{% content-ref url="../anime-tracking/anime-seasons" %}
[anime-seasons](https://docs.simkl.org/how-to-use-simkl/getting-started-with-simkl/basic-navigation/anime-tracking/anime-seasons)
{% endcontent-ref %}

***

### 1. **Money Heist (*****La Casa de Papel*****) – Spain**

| Version          | Structure              | Description                                                                             |
| ---------------- | ---------------------- | --------------------------------------------------------------------------------------- |
| ES Original      | 2 Seasons, 22 episodes | Season 1: 15 episodes (\~70 min), Season 2: 9 episodes                                  |
| Netflix (Edited) | 5 Parts, 48 episodes   | Recut into shorter episodes for global streaming. Final Part 5 released in two volumes. |

#### Season Format

* **Part 1 & 2** = Recut of original Spanish Season 1
* **Part 3 – Part 5** = New episodes produced by Netflix
* **Part 5** was split into:
  * *Volume 1*
  * *Volume 2*

<figure><img src="https://1063116720-files.gitbook.io/~/files/v0/b/gitbook-x-prod.appspot.com/o/spaces%2F-MkYIJb2JfKN8kBT29bf%2Fuploads%2F8Yu8hfMlFaqpUEstoGiy%2Fimage.png?alt=media&#x26;token=b93b9d1b-02f1-4af8-ac73-a6ade9cb8ea4" alt=""><figcaption></figcaption></figure>

#### Key Difference

* Netflix edited the original long episodes into 45-min cuts and grouped them into “Parts”.
* Final Part was split mid-season into two separate drops.

**Show Details:** <https://simkl.com/tv/701594/money-heist>&#x20;

***

### 2. **Stranger Things – USA**

| Season   | Structure                      | Notes                                                          |
| -------- | ------------------------------ | -------------------------------------------------------------- |
| Season 1 | 8 episodes                     | Standard drop                                                  |
| Season 2 | 9 episodes                     | Standard drop                                                  |
| Season 3 | 8 episodes                     | Standard drop                                                  |
| Season 4 | 9 episodes, split into Volumes | Volume 1 (Ep 1–7), Volume 2 (Ep 8–9, with extra-long runtimes) |
| Season 5 | 8 episodes                     | Volume 1, Volume 2, Finale episode                             |

#### Season 4 Format

* **Volume 1**: Released May 27, 2022 (Episodes 1–7)
* **Volume 2**: Released July 1, 2022 (Episodes 8–9)

<figure><img src="https://1063116720-files.gitbook.io/~/files/v0/b/gitbook-x-prod.appspot.com/o/spaces%2F-MkYIJb2JfKN8kBT29bf%2Fuploads%2FO509nF8sZnPTepXMY8Bl%2Fimage.png?alt=media&#x26;token=f8206cdb-60da-497c-8279-8dbbbb5586e1" alt=""><figcaption></figcaption></figure>

#### Key Difference

* All episodes belong to **Season 4**, but Netflix split the release into **two Volumes** for pacing and hype.
* Episodes in Volume 2 exceeded 90 minutes, making them feel cinematic.

**Show Details:** [**https://simkl.com/tv/548312/stranger-things**](https://simkl.com/tv/548312/stranger-things)&#x20;

***

### 3. **Lupin – France**

| Release Type | Structure | Notes                                                             |
| ------------ | --------- | ----------------------------------------------------------------- |
| Netflix      | 3 Parts   | Each released separately as Part 1, 2, and 3                      |
| SIMKL / TVDB | 3 Seasons | Labeled as Seasons, even though Netflix refers to them as “Parts” |

#### Season Format

* **Part 1**: 5 episodes (2021)
* **Part 2**: 5 episodes (2021)
* **Part 3**: 7 episodes (2023)
* Part 4: *(Coming soon...)*

<figure><img src="https://1063116720-files.gitbook.io/~/files/v0/b/gitbook-x-prod.appspot.com/o/spaces%2F-MkYIJb2JfKN8kBT29bf%2Fuploads%2FUEnQZU0P3myserZZVhwZ%2Fimage.png?alt=media&#x26;token=637a746d-3491-4ecd-9fba-043c4129330c" alt=""><figcaption></figcaption></figure>

#### Key Difference

* Netflix refers to each drop as a new **Part**, but SIMKL and TVDB catalog them as **Seasons**.
* Each Part continues the same overarching story without a reboot or cast change.

**Show Details:** [**https://simkl.com/tv/1318438/lupin**](https://simkl.com/tv/1318438/lupin)&#x20;

***

### 4. **Tale of the Nine Tailed – South Korea**

| Release Title                         | Structure   | Notes                                                        |
| ------------------------------------- | ----------- | ------------------------------------------------------------ |
| *Tale of the Nine Tailed* (2020)      | 16 episodes | Original story in a modern-day setting                       |
| *Tale of the Nine Tailed 1938* (2023) | 12 episodes | Prequel arc with returning characters and historical setting |
| SIMKL / TVDB                          | 2 Seasons   | Grouped as Season 1 and Season 2, despite prequel format     |

#### Season Format

* *Season 1* = 2020 original
* *Season 2* = 1938 timeline (prequel arc)

#### Key Difference

* Although marketed as a **prequel** with a fresh tone, tracking platforms treat it as a direct **Season 2**.
* Title change may confuse viewers who expect a new series entry.

**Show Details:** [**https://simkl.com/tv/1411060/tale-of-the-nine-tailed**](https://simkl.com/tv/1411060/tale-of-the-nine-tailed)&#x20;

***

### 5. **The Glory – South Korea**

| Netflix Labeling | Structure              | Notes                   |
| ---------------- | ---------------------- | ----------------------- |
| Part 1           | 8 episodes (Dec 2022)  | Setup arc               |
| Part 2           | 8 episodes (Mar 2023)  | Conclusion arc          |
| SIMKL / TVDB     | 1 Season (16 episodes) | Combined under Season 1 |

#### Season Format

* *Season 1* = Part 1 + Part 2 (no split distinction in metadata)

#### Key Difference

* Netflix released as **two distinct parts**, but it’s officially a single season.
* SIMKL users won’t see “Part 1/2” labels, which may cause confusion in watch progress.

**Show Details:** [**https://simkl.com/tv/1752934/the-glory**](https://simkl.com/tv/1752934/the-glory)&#x20;

***

### 6. **Arthdal Chronicles – South Korea**

| Title           | Structure                       | Notes                                                              |
| --------------- | ------------------------------- | ------------------------------------------------------------------ |
| Season 1 (2019) | 18 episodes, split into 3 Parts | Marketed as Part 1, Part 2, and Part 3 (each with subtitle names)  |
| Season 2 (2023) | 12 episodes                     | Titled *The Sword of Aramun*, recast lead actor, different arc     |
| SIMKL / TVDB    | Season 1 & Season 2             | Season 2 treated as continuation, despite time gap and cast change |

#### Season Format

* *Season 1* = 3 internal narrative arcs released as continuous drops
* *Season 2* = Years later, different actor, new tone but same universe

#### Key Difference

* Marketed almost like a reboot, but grouped linearly as Season 2 on SIMKL.
* Viewers expecting a standalone story may be confused by returning elements.

**Show Details:** [**https://simkl.com/tv/998178/arthdal-chronicles**](https://simkl.com/tv/998178/arthdal-chronicles)&#x20;

***

### 7. **Transformers: War for Cybertron Trilogy – USA**

| Platform     | Structure                           | Notes                                                                                      |
| ------------ | ----------------------------------- | ------------------------------------------------------------------------------------------ |
| Netflix      | 3 separate titles (6 episodes each) | Each installment (Siege, Earthrise, Kingdom) is treated as an individual title on Netflix. |
| SIMKL / TVDB | 3 Seasons, 18 episodes              | Grouped under one series: *Transformers: War for Cybertron Trilogy* as Seasons 1–3.        |

#### Season Format Breakdown

* **Season 1** = *Transformers: War for Cybertron – Siege* (6 episodes, 2020)
* **Season 2** = *Transformers: War for Cybertron – Earthrise* (6 episodes, 2020)
* **Season 3** = *Transformers: War for Cybertron – Kingdom* (6 episodes, 2021)

<figure><img src="https://1063116720-files.gitbook.io/~/files/v0/b/gitbook-x-prod.appspot.com/o/spaces%2F-MkYIJb2JfKN8kBT29bf%2Fuploads%2FRUXL2axiw21MD6z4ahPj%2Fimage.png?alt=media&#x26;token=367b6475-7ab0-4799-a344-bf021540fd35" alt=""><figcaption></figcaption></figure>

#### Key Difference

* On **Netflix**, each part is released as a **standalone title** under its own card and page.
* On **SIMKL**, they are combined under one series and labeled as **Season 1, 2, and 3**.
* This disconnect means SIMKL cannot detect your progress automatically if you're only watching *Siege* on Netflix — since *Earthrise* and *Kingdom* are technically “different titles.”

#### Notes

* This trilogy is a clear example of how **marketing splits titles for brand identity**, while metadata platforms merge them for continuity and episode tracking.
* Viewers may believe they’re watching different series, but SIMKL treats them as one.

**Show Details:** [**https://simkl.com/tv/1275048/transformers-war-for-cybertron-trilogy**](https://simkl.com/tv/1275048/transformers-war-for-cybertron-trilogy)&#x20;

***

### 8. Disenchantment – USA

Netflix’s animated fantasy sitcom **Disenchantment**, created by Matt Groening, wraps up with **three (3) official seasons**, but those are delivered as **five (5) parts** released over time—each part being a batch of 10 episodes. In total, the show has **50 episodes**.

| Platform         | Structure            | Notes                                                                               |
| ---------------- | -------------------- | ----------------------------------------------------------------------------------- |
| **Netflix**      | 5 Parts, 50 episodes | Each part contains 10 episodes. Netflix uses a “Part” structure instead of seasons. |
| **SIMKL / TVDB** | 3 Seasons            | Grouped under three seasons, combining the 5 parts into broader seasonal blocks.    |

***

**Season Format Breakdown**

* **Season 1** = *Part 1* (10 episodes, 2018) + *Part 2* (10 episodes, 2019)
* **Season 2** = *Part 3* (10 episodes, 2021) + *Part 4* (10 episodes, 2022)
* **Season 3** = *Part 5* (10 episodes, 2023)

<https://en.wikipedia.org/wiki/List_of_Disenchantment_episodes>

| Part | Season       | Episodes | Originally released |
| ---- | ------------ | -------- | ------------------- |
| 1    | **Season 1** | 10       | August 17, 2018     |
| 2    | **Season 1** | 10       | September 20, 2019  |
| 3    | **Season 2** | 10       | January 15, 2021    |
| 4    | **Season 2** | 10       | February 9, 2022    |
| 5    | **Season 3** | 10       | September 1, 2023   |

***

**Key Difference**

* On **Netflix**, the show is split into 5 distinct **Parts**, each with 10 episodes, with gaps between release dates.
* On **SIMKL** and TVDB (Aired Order), the series is grouped as **3 Seasons**. Each season comprises 1–2 Netflix Parts.
* This can lead to confusion while tracking. For example, someone watching *Part 4* on Netflix may expect it to be Season 4 on SIMKL, but it's actually listed under **Season 2**.

<figure><img src="https://1063116720-files.gitbook.io/~/files/v0/b/gitbook-x-prod.appspot.com/o/spaces%2F-MkYIJb2JfKN8kBT29bf%2Fuploads%2F5LgXtxrIEYsx0hPKSvU4%2Fimage.png?alt=media&#x26;token=6635eeb4-ae0e-40cd-ac50-d46b59e5a7d3" alt=""><figcaption></figcaption></figure>

**Notes**

* This case highlights how streaming services define content by **release rhythm (parts)**, while metadata platforms prioritize **broadcast structure (seasons)**.
* Users relying on trackers like SIMKL may see unexpected season numbers that don’t align with Netflix UI.

**Show Details:** <https://simkl.com/tv/751558/disenchantment>

***

## Series Continuity vs Splitting: Why TVDB’s Approach Works Better for Tracking

One of the most important philosophical differences between TVDB and TMDB is **how they define what constitutes a “single TV series.”** This distinction has major implications for long-term tracking, statistics, and watch history integrity.

* **TVDB prioritizes narrative and production continuity.**
* **TMDB often prioritizes branding, marketing titles, or platform presentation.**

While both approaches can look reasonable in isolation, only one scales well for long-term TV tracking.

#### Series Continuity vs Splitting, Real-World Examples

| Series                    | TVDB Representation                                                                                                          | TMDB Representation                                                                                                                    | Why TVDB Groups It                                                                                                                                                                                                                                                  | Tracking Impact if Split (TMDB)                                                                                                                                                                                   |
| ------------------------- | ---------------------------------------------------------------------------------------------------------------------------- | -------------------------------------------------------------------------------------------------------------------------------------- | ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- | ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- |
| **The Haunting**          | <p><strong>Single anthology series</strong><br>• Season 1: <em>Hill House</em><br>• Season 2: <em>Bly Manor</em></p>         | <p><strong>Split into two separate shows</strong><br>• <em>The Haunting of Hill House</em><br>• <em>The Haunting of Bly Manor</em></p> | TVDB treats *The Haunting* as one show because Netflix officially renewed it as an **anthology series**, not as separate productions. The creative intent, branding, and renewal lineage all point to a single evolving series, similar to *American Horror Story*. | Watch history is fragmented into two unrelated entries. Users appear to have watched “two different shows” instead of completing Season 2 of the same series. Stats, completion rates, and continuity are broken. |
| **Monster**               | <p><strong>Single anthology series</strong><br>• Season 1: Dahmer<br>• Season 2: Menendez<br>• Future seasons: new cases</p> | **Split by case title** (each season listed as a new show)                                                                             | TVDB groups all seasons under *Monster* because each season is part of the same **true-crime anthology framework**, renewed as a single franchise with different subjects per season.                                                                               | Franchise-level tracking becomes impossible. Each new case resets progress and stats, making it unclear that the user is following the same ongoing series.                                                       |
| **American Horror Story** | <p><strong>Single anthology series</strong><br>Each season has a subtitle and standalone story</p>                           | **Not split** (treated as one show)                                                                                                    | This is the canonical example of how anthology TV has always been handled. Despite radically different stories each season, production and renewal continuity defines it as one series.                                                                             | Splitting would destroy over a decade of viewing history, invalidate stats, and make long-term tracking unusable.                                                                                                 |
| **Fargo**                 | <p><strong>Single anthology series</strong><br>Each season tells a new story in a shared universe</p>                        | Usually kept together, but often debated                                                                                               | TVDB follows official renewal and franchise continuity. Each season is a new chapter, not a new show.                                                                                                                                                               | If split, users lose a clear sense of progression through the series and long-term completion metrics become meaningless.                                                                                         |
| **True Detective**        | <p><strong>Single anthology series</strong><br>Standalone seasons under one title</p>                                        | Usually kept together                                                                                                                  | TVDB recognizes that anthology does not mean “separate shows.” Renewal history and franchise identity define series boundaries.                                                                                                                                     | Splitting seasons would artificially inflate show counts and fragment user watch history across unrelated entries.                                                                                                |

TVDB prioritizes **narrative and production continuity**, not marketing titles. This approach is far more reliable for long-term tracking.

***

## Why This All Matters for Viewers

While these structural differences might seem minor, they can create significant confusion for viewers — especially those who rely on tracking platforms like **SIMKL**, **MyAnimeList, IMDB**, or **MyDramaList** to monitor their progress and organize their watchlists.

Here's how it affects your viewing experience:

| Concern                   | Impact                                                                                                            |
| ------------------------- | ----------------------------------------------------------------------------------------------------------------- |
| **Progress Tracking**     | You may mark "Part 2" as complete on Netflix, but SIMKL or IMDB shows it as "Season 1", causing missed progress.  |
| **Episode Discovery**     | Specials, prequels, or side stories may be listed as “Season 0” or not grouped at all.                            |
| **Continuity Confusion**  | Anthologies or rebooted sequels might appear under the same season, even if their tone, timeline, or cast differ. |
| **Watch Stats & History** | Misaligned data affects your completed percentage, history accuracy, and viewing habits.                          |

{% content-ref url="../../../core-features/content-tracking/tracking-content/progress-tracking" %}
[progress-tracking](https://docs.simkl.org/how-to-use-simkl/core-features/content-tracking/tracking-content/progress-tracking)
{% endcontent-ref %}

These challenges become even more noticeable with **international series**, where naming conventions differ by region, platform, and language.

***

## Tips for Viewers Using SIMKL and Other Trackers

To minimize confusion and keep your watchlist accurate, here are a few practical tips:

#### 1. **Check the Air Dates**

Use episode air dates to match what you've watched on Netflix, Disney+, or Viki with what's on SIMKL. This is especially useful when "Part 2" is really Season 1, Ep 9 onward.

#### 2. **Read Episode Descriptions**

SIMKL pulls metadata from TVDB, including descriptions and titles. Use those to locate matching episodes when “Part” and “Season” labels don’t align.

#### 3. **Look at Specials / Season 0**

Many side stories, prequels, or one-off episodes are listed under “Season 0”. Don’t miss them, they may be essential (*e.g., Kingdom: Ashin of the North*).

#### 4. **Know That Different Shows Have Different Logic**

* *Stranger Things* uses **Volumes**
* *Money Heist* uses **Parts**
* *K-Dramas* may change **title and time period** entirely\
  Always assume naming on Netflix or TV may not match tracking platforms.

***

## Understanding the TV Format Globally!

As global TV becomes more fragmented across regions, formats, and platforms, understanding **how content is structured** and how it's **tracked differently,** is more important than ever.

Whether you're watching *Money Heist* split into five Parts, or a K-Drama like *Tale of the Nine Tailed 1938* that changes tone and timeline mid-series, these aren't just stylistic choices.

They're deliberate structural shifts shaped by:

* Platform strategies
* Cultural viewing habits
* Production cycles
* Global distribution norms

By knowing how SIMKL (and its source TVDB) interprets these releases, you’ll be better prepared to manage your watch history, avoid confusion, and enjoy a smoother viewing journey.

> **Remember:** Seasons and Parts aren’t always the same, but your favorite episodes are all there.\
> Stay informed. Track smart.
